House Tour #8, September 2024
Insight into the Depot
Manfred Bartling in the Donors' Room of Haus Kunst Mitte
For the eighth edition of our HOUSE TOURS series, we warmly invite you to join us for another look into our painting collection. This edition focuses on a special work by Manfred Bartling, co-founder of Haus Kunst Mitte, who passed away in 2023. His painting is on view in our Donors’ Room.
Manfred Bartling, Untitled, 1963, Gouache on wood, 73,5 x 58 cm, Asyl der Kunst Stiftung
The untitled painting by Manfred Bartling, created in 1963, is a striking self-portrait of the artist and his family. Executed in a vivid, expressive style, the figurative composition depicts three figures: a man in the background, a woman in the foreground, and a child gently held by the woman. Alongside Manfred Bartling himself, the two other figures can be identified as Elisabeth Bartling and Stefan Bartling.
The color scheme of the work is characterized by a bold and emotionally charged visual language. Dominant blue tones shape the background, creating a cool, dreamlike atmosphere. In contrast, vibrant oranges and yellows give mother and child a sculptural presence, assigning them central importance within the composition. This intentional use of color enhances the emotional depth of the painting and emphasizes the intimacy of the family unit.
Bartling’s expressive style is particularly evident in the dynamic brushwork. The painterly execution feels powerful and alive. The flowing, almost weightless background intensifies the sense of a dreamlike space, removed from everyday reality. The cropped framing of the figures draws the viewer in, giving the composition an intimate and immediate quality.
The woman in the foreground is believed to be Elisabeth Bartling and appears to seek direct eye contact with the viewer. This gaze fosters a personal connection and captures the tension between closeness and distance. The man in the background—presumably Manfred Bartling—remains a silent observer. His withdrawn position and dark, shadowy contours lend him both a protective and distanced presence. His defined facial features and distinctive beard contrast with the softer, warmly rendered features of the woman, whose figure is sensitively shaped through Bartling’s nuanced color application.